Posts from Creative


August 22

Sweating the Small Stuff

“The details are not the details. They make the design.”
- Charles Eames

There was something about the tail light of the Mini Cooper S in front of me that caught my eye. It took a moment, but as soon as the driver tapped the brakes again I saw it: the illuminated brake light did not fit inside its housing. I thought: that must be intentional. There is no obvious reason why the ring of of the light could not be made smaller or of a different shape, so why design the rear light in this way? I glanced around the rest of the car looking for clues (while paying close attention to the road, um, for the most part).

Courtesy of Motor Trends

As I’d suspected, the evidence was there. Scanning the exterior details, particularly the curves of the side panels and the subtle tuck of various seams, it all made sense. The entire skin of the Mini appeared ready to burst from within, as if the envelope of the car were being distorted by the power of the machine underneath. That impression was being reinforced by the design gesture of the tail light: the housing appears to be too small to enclose the lamp.

None of these interpretations is true: the housing could be designed to contain the brake light easily and the panels are shaped on the assembly line, not by some barely contained force of the underlying machine. These construction details are designed to create the illusion that the Mini is brawnier than its size would imply. Whether the performance of the car lives up to the aesthetic is not relevant, I’ve already made this association. (more…)

July 15

BMW Kinetic Sculpture, by Art+Com

  

Berlin based Art+Com have created a beautiful & poetic kinetic sculpture for the new BMW Museum in Munich.

The mechatronic installation made up of 714 metal balls translates a virtual design process into the space around it. Seemingly weightless and guided solely by the power of the mind, the sculpture moves through a cycle of free abstractions and typical BMW vehicle forms.

Creative Director of the sculpture was Professor Joachim Sauter.

See it in action:
50mb Hi-res Quicktime
Low-res youtube video 1 / video 2

June 5

For Data Viz or Political Junkies

View Election Margins

Regardless of your political associations, you will have to agree that this is an extremely simple, elegant and well designed solution for viewing election results from the NY Times. No surprises here I guess, since I think most have come to expect this type of execution from their great team of interactive designers.

In an election season with so many ups and downs as well as the amazingly thinly sliced and diced demographic results, its great to see it all in one place in a rich yet easily understood format.

I heard recently of the notion that Data Visualization as a medium for human communication is replacing or becoming more important than Narrative. Some believe that the form of Narrative is more appropriate for communicating ideas in a society with relatively small amounts of stored data or knowledge. With the modern advent of the digital database, and exponentially increasing amounts of storage capability as well as information that needs to be stored, a new way of communicating is evolving or is said to be needed.

It’s an intoxicating idea isn’t it? A new way of communication based on database information and an evolving visual language that is being formed by a global and collective army of designers and coders.

However, I think this misses some important points and can be easily understood by the example shown above.

Where in this visualization do we see the references to the historic and groundbreaking stories that define these candidates? Where are the human stories that created their character (or lack thereof depending on your perspective) or even these characters framed within our ongoing national conversation, or if you like, narrative?

May 23

OFFF Video

Yet another post from the OFFF festival. Please excuse the very jumpy camera work especially in the beginning(big time amateur move on my part). I mostly just wanted to be able to give people a sense for what the whole experience was like with this. There are some Lisbon street scenes as well as a bunch of footage from the presentations. Enjoy!

Music Credits: Madredeus - Oxala (Telepopmix)

May 19

Visual Language and Culture

I am fascinated by these subjects, and hopefully some of you will also find this interesting. I have learned over and over again (because it is something that is easily forgotten) that inspiration can and should come from anywhere and everywhere. For me as a visual designer and visual being, this always comes easiest from a sort of culture immersion experienced by traveling. I am able to take new things away with me and hopefully hang on to them for as long as possible.

The other side of this that interests me is how much can we really tell from a culture by the visual traces it leaves behind? Also, what are the real signposts of the changes a society may be experiencing versus those that are the detritus of a modern and global community participant?

It was not that long ago that Portugal was the backwater of Europe in terms of economy, development and market. A visual catalog from that point in time would have looked quite a bit different and less diverse. In the one seen below, we see a different story, and we see traces of an ancient past, alternating religious/cultural domination, street art, and modern marketing.

Is it possible to view these and get a raw sense for the culture as a whole? Is it possible to look at these and know what the best way to communicate to this market would be?

All good points to think about and discuss. “Hint, hint. Nudge, nudge. Wink, wink.” Enjoy.

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